".. gifted and decisive " The Strad

"…The Adagio brought a sweet-toned, cool-headed expressiveness to the fore – and the concluding Allegro gained from both women's spirited vigour.( Bach Sonata in C minor)The highlight of the evening was the 'Kreutzer' Sonata. Barton and Dinnerstein were now in their stride, magnificently and indestructibly. In this most powerful of performances, their strong, exuberant pulse drove ahead with exhilarating thrust and bold, brash gaiety. Beethoven was present – dynamically so – at the height of his powers, at the peak of his energy. He was extrovert, direct and absolutely stunning… it constitutes a brilliant virtuoso declaration of buoyant emotions
Schubert's Fantasy was a delight…In the loose, ensuing display, Barton engaged compellingly in promoting Schubert's honeyed and autumnal phrases: his last work for violin and piano. This performance drew me warmly into the sturdy solidity of Schubert's genius."

Wigmore Hall duo concert with Simone Dinnerstein. June 08. Review by Kenneth Carter classicalsource.com

"well poised and vivacious …she was a joy to hear and behold." Manchester Evening News

"…making big demands on the players - Fenella Barton and Catherine Edwards were well up to the challenge."
(performance at the Almeida Festival of Nancarrow's Toccata for violin and piano) The Times 

"Violinist Fenella Barton really steals the show in the second movement. She evokes the sadness Chambers imbues the tune in this setting as a "mountain lament" and plays with flawless intonation…Barton's sensitive and stirring playing takes center stage, as it should". about Anglosax Sounds Like Now

"…the first violinist Fenella Barton particularly impressive in a piece that makes such a demand on the virtuosic skills of the strings Oxford Times

About Configure8:
"… impeccable ensemble…. I was riveted by the gorgeous sound combinations these players could achieve, enhanced by each others' undoubted virtuosity."The Strad - about Configure8's debut concert in the Purcell Room.

" Configure8 radiated an infectious pleasure in shared music making" London Evening Standard

Review about C.D with Kyle Horch and friends"an engrossing reading of Webern's Quartet Op 22." B.B.C. Music Magazine .
Chambersax with Kyle Horch and friends. It was rated as excellent, the highest rating.